maxim

Sometimes the underground is a surreal place to be.

Sunday, March 8, 2009

VA - More Protein Sampler & Spiral Tribe - Respect to the Hardcore Mother Earth

Today we've got two of the most ridiculous extremes of the anglo-rave movement.



Various - Closet Classics Volume 1 - The More Protein Sampler (1992)

First, the More Protein Sampler which is mostly an outlet for MC Kinky's decadent drug-laden rave-ragga toasting over extremely campy rave techno (she was a Boy George discovery, this is out on his label of the time as a matter of fact). Starting off with the so-awful-it's-hilarious 'Everything starts with an E' camp rave tune, the sort of thing that says more about the entire line of people that it had to get through to reach production than it does about the blissed out gang of ravers who managed to produce it. Rest of the disc isn't nearly so bad, but it's camp soulful house divas to the last. Funny thing to point out: nearly all the vocalists on the album are black, and yet all the people on the cover are white. Including Jesus. Disgraceful.



A Thing find, of course. Still keeping an eye out for a Queen's English single. Haven't got the slightest idea why Madonna still has a career and Boy George doesn't after that, but maybe the english are a bit more attentive to their respective undergrounds and know who to punish when things go too far.



Spiral Tribe - RESPECT TO THE HARDCORE MOTHER EARTH!

Second, the Spiral Tribe's final album Respect to the Hardcore: Mother Earth (also included is Tecno Terra, their debut). These were a gang (always 23 of them) of ravers who ran a travelling free techno soundsystem and preached a techno-holistic worldview. Essentially they attempted to fuse the early 90's brand of pagan earth-worship environmentalism with the concurrent techno-millenialism on a vaguely revolutionary line. Still amazes me that anyone took such nonsense seriously, since computer technology wreaks terrifying havoc on the environment and requires a global class division between the poor laboring nations and wealthy technological countries to produce and consume it. Chalk it up to the self-centered thinking that dominated the US and UK during and after the Thatcher/Reagan years, or just drugs.

As for the album, the tracks are thankfully more enjoyable than those of the Protein sampler for the most part. There's a few camp tracks ('Forward the Revolution' - thanks, you educated non-laboring children of a former colonialist power) and some weird pseudo-environmentalist duds ('World Adventurer Traveller', though that might be more of a 'traveller' thing, I'm too much of a boorish American to understand all these weird subcultural deals the English have going), but much of it's interesting and the punk-infused vibe can't be denied. Certainly better they preach contradictory nonsense with some positive aspects than the pure hedonism of their Club bretheren, though pure hedonism does enter into it all a bit too often to be forgivable. Either way, it's never boring. Still looking for my own proper copy of this, something more reasonably priced than the $200 discs I've seen on ebay. A bit of googling reveals this is still available, so I've taken it down. Please support Spiral Tribe and buy the double CD set here! It's cheap as hell and worth the listen if you have any interest in this period in techno.



Turning Shrines - Cinnabar & Porcelain


Turning Shrines - Cinnabar & Porcelain (1988)

Turning Shrines was the name of Fred Giannelli's home recording experiments up until he joined Psychic TV. The album contains three songs and four tracks (one of which is side-long) of sampler experimentation. The sampler stuff isn't of much interest, coming off like a very low rent tape collage (which, twenty years on, we now know to be what it always sounds like anytime someone without much idea what he's doing sits down behind a sampler). Forgiven of course because sampler use hadn't been much refined by that early date and he clearly found his footing in very little time. The proper songs are a bit more interesting. Are You Experienced? was redone as an acid single with Carese P-Orridge's vocals to good effect. The version here is an early 4-track instrumental. Mystification and Iron Nights are both good-if-a-bit-amateurish sequenced synth tracks, great inspiration to me in my own amateurish sequencing attempts. I'd guess this is all FM synth and sampler, but there could be an analog in there somewhere. Wish I had access to his sample library from the time.

Saturday, March 7, 2009

Series 2: House Singles


This is the first post of a second series I'm starting. Today's rips are early 90's house and techno, rave-y stuff for the most part. Next time I'll rip some proper 80's acid tracks or maybe some wbmx-style italo and hi-nrg singles. All of these were dug out of the basement of the Thing.

In this pack:
Turntable Hype - I'll Bass You/Turntable Hype - Get it
The Scientist - The Exorcist (white label) - Get it
Frequencey - Where Is Your Evidence? - Get it





Friday, March 6, 2009

Digital Trip - Crusher Joe


Digital Trip - Crusher Joe (1983)

Now I don't know if you're familiar with it, but 60's bargain label Pickwick used to put out weird bootleg versions of popular film soundtracks. I've got a fifty-cent copy of their Clockwork Orange knockoff, easily among my oddest finds just because it sounds so unlike what you would expect from a cut-rate version of Wendy Carlos' classic. I can't imagine they made much money off of it at the time but it provides a precedent for this album. In the same series as the previous 'synthesizer fantasy' post, this is an earlier LP consisting of sequenced synthesizer covers of the soundtrack to the film Crusher Joe, an animated science fiction story based on a series of novels according to the wiki. Laid to tape in June of '83 according to the insert, this is 100% pure, delicious analog synth. Were I to guess, it was probably done on Roland synths with multiple MC-4's given the complexity of the programming/compositions and the sequencers available at the time. Could be some Juno-60s off DCB, could just be a stack of monos running off CV. Only thing I'd be willing to lay odds on is that drum machine being an Oberheim.

I've got a few more of these I'll be posting in the future, and I might try tracking some others of the series down from Japan if my limited import connections find them in stock. If anyone happens to have one I don't, I would be interested in picking it up.

This is highly recommended (required?) listening for anyone who is a fan of John Carpenter, the Legowelt soundtrack sideprojects, italodisco (Bloodbath Highway, Panic in Disco), and analog synthesizer recordings in general.

The Sandals - Endless Summer


The Sandals - Endless Summer (1966)

This one was a request from my new roommate, once he heard I had a setup to rip vinyl he pulled this out (with a few other lps) and asked me to hook him up. He'd never been able to find a copy on any other medium and a quick googling confirms this. Classic soundtrack to the classic surf movie.

Pierre Takal - Music to Watch Over


Pierre Takal - Music to Watch Over (1988)

This is a tape I found with the pleasant woman who sells odds and ends out in front of 'Love will Save us all' in the village. Had some good finds with her through the last few years, which i'll be posting in the future. I can only assume that the Pierre Takal credited here is the same composer who has provided music for NPR's This American Life and other shows, check out the site for more info on his current work. This is presumably an old demo reel of his, marked from 1988 and chock full of late model analogs (filters sound like Alpha Juno/MKS-50 which would be about right for the time) and some DX-7, with what must have been a tremendous rack of samplers given the usual memory size of the period. Some great songs here (Pleasure, Going Nowhere, the ambient bits like Desert Plateau and Lawn Gone are also good), but mostly interesting to me for the technique. Wasn't sure what was what with Laughing All the Way so you've got two tracks instead of one. There's a fault on the tape on the first track, apologies but that's what you get when you're shopping out of bins on the street.

Series 1: Tape Noise

First in a series of noise/pe posts I think I'll try to do. Today we have some old tape rips I've got lying around. Old hard drive is dying so I need to archive these somewhere safer anyway. Next I'll try to put some vinyl comps into the stack waiting for a rip & post.



1. Yuzuru Syogase - 1983-1985 (1988)

Easily among my favorite noise recordings, never released on vinyl. Alternates between proper 80's tape noise and overloaded & self-oscillating analog synthesizers. Not a clue as to the equip but if I'm gonna roll on that gimmick I'd guess a polysix or juno type polysynth, lot of arpeggiated blipping that you probably couldn't squeeze out of a mono. very, very highly recommended as an intro to this period in noise.

2. Graveyard - Anal Fucking (1987)

Power electronics with a drum machine, heavy heavy broken flag influence on this. Check out his ebay page, he's been selling off his collection for years now (possibly copies rec'd on contemporaneous tape but such an amazing collection i can only thank him for it). If anyone else was lucky enough to get the Direct Waves broken flag posts back when he dropped them, you'll enjoy this. Samples a speech by hitler (marked "untitled" since it wasn't listed as a track, in case you'd like to avoid it) for a few seconds but is otherwise free of such. Judging by sound it's a homemade modular or early monosynth with a few different delay effects and a cheap microphone, maybe a hacked up consumer keyboard going off the drums. classic 4-track material.


3. Volksfront - Kampf Field

More from the same guy who produced the Graveyard album. I can only assume that he listened to the SS Leibstandarte MB tapes and didn't get the joke, because it's PE similar to the Graveyard material with nazi speeches played over it. Bits of nazi speeches interspersed with a japanese guy screaming in broken english through a self-oscillating delay effect, circa 1988. First side is mostly speech samples and Second side is one long analog noise track with a continuous nazi speech fading in and out and a tick-tocky analog drum machine beat run through a ton of delay.

I do want to make a point of saying that I do not support whatever political message you might take from this incomprehensible mess, and staunchly support the death/slaughter of fascists everywhere. Snapshot of a time in production and all. Enjoy, if that's the word.

Thursday, March 5, 2009

Droll Yankees - A Steamboat Leaving Newport on a Foggy Morning


I'll make another Droll Yankees post later, but for now here is an awful quality copy of this 7", which I found at the Thing in Grünpunkt. Please buy a better copy on ebay or something and rip it!

A Steamboat Leaving Newport on a Foggy Morning

Along the Shore