maxim

Sometimes the underground is a surreal place to be.
Showing posts with label noise. Show all posts
Showing posts with label noise. Show all posts

Wednesday, June 30, 2010

Rapidshare Issues

I've got a few things I'd like to upload, but Rapidshare has gone and switched from the monthly pass setup to some kind of totally incomprehensible points-based system (while, might I add, deleting my 14000+ already useless 'rapidpoints' (fuck your mousepads)) so until I can grasp what the hell is going on here I'm just going to push a few links for the sake of a new post.

Un-kommunity - In The Shithouse (1984)
http://433rpm.blogspot.com/2010/06/un-kommunity-in-shithouse-tape-black.html

This was a tape I've been looking for for ages, ever since I got the Freedom in a Vacuum comp a few years ago. Top notch tape noise from three english students, featuring McCarthy/Stereolab guru Tim Gane in his first musical(?) outing.


Tantra - Double Album (1980)
http://retrodisco-hi-nrg.blogspot.com/2010/06/tantra-double-album-2lp-album-1980.html

Featuring two side-long proto-italo epics, one of which being the timeless Hills of Katmandu, this one gets dropped regularly by a good friend whenever he does a vinyl set out & about.



also another reminder that i'm posting up videos to the twitter on the regular now: http://twitter.com/spaceodeon

Friday, February 5, 2010

D.D.A.A. - La Famille Des Saltimbanques



D.D.A.A. - La Famille Des Saltimbanques (1984)

One of the jewels of my meager cassette collection here. Includes scans of the packaging and all that. I'll leave the rest up to this short bit off the WFMU blog.

I've raved about DDAA elsewhere on this blog, and also addressed the fact that several of their best releases were cassette-only. La Famille des Saltimbanques was released in a beautiful custom package by the Italian ADN label in 1984, and is among my personal top three DDAA recordings, along with their masterpiece, the Ronsard LP (1988) and their first full-length album, Action and Japanese Demonstration (1982). DDAA's songs have a relentlessly human quality, an emotional intensity that I find lacking in much of the post-punk avant-garde, having more in common with Can or Amon Düül than with DDAA contemporaries like Nurse With Wound and P16.D4. The two lengthy songs that make up most of Face 2 of this tape are mindbending excursions of plodding percussion and monolithic distorted guitar.

This is certainly one of the more rockist outings for DDAA, heavy on the bass and the screaming guitar. I've chopped this rip up into the songs as listed on the packaging, if you'd rather get sidelong rips or grab it from a different source, WFMU has sidelong rips and this blog has their own rips as well. Quality might be better from them, I haven't checked. Tape's a bit spotty at points on my copy, ravages of age and all (can you believe it's really been 25 years since this came out? so much more interesting than most of what's coming out now)

Saturday, April 18, 2009

TAN AS FUCK - (SARS)chasm EP



TAN AS FUCK - (SARS)chasm EP (2006)

Lofi noise from this great Nashville group. Was on heavy rotation when I stumbled across it, very much recommended for casual noise fans. Not at all harsh as far as noise goes, lots of shortwave/synth blips and heavily delayed guitar & vocals. Too active to call it drone, but it's very nice for a late night after a few too many glasses of wine, pints, slugs of whiskey, whatever your preference. Desperately wish I could have seen them live. Extremely old school-style industrial vibes in the area.

Friday, April 10, 2009

Merzbow - Pornoise

I think this is in the Merzbox but here's my copy of the 5 C60 book set of Merzbow's epic 1984 masterpiece Pornoise. You can still get this from RRR, runs $25 and you should buy it because RRRon is a great guy and deserves your money for continuing to provide not only this but so many other amazing releases (like: a ton of United Diaries cassettes, a book set of the absolutely necessary Rising from the Red Sand comp series, cdrs of p16.d4, etc). Here in five parts, ripped in utterly unnecessary v0, is five hours of cassette noise from the master himself during (imo) his best period. I've got a few other things I might post tonight but who knows what I'll get uploaded.

Personal favorite side is #9, A-side of the last cassette, "Toy 69". Rhythmic noise blasts, either from an overdriven drum machine or a machine gun on a tape loop, a lot of freaked out shortwave & synth noise and a woman being tortured to top it all off. If you haven't got an RS account, get that one.

done in single tape zips, open 'em all to a folder.



A Penis Art Is Microphone
B Loop Fuck / Obituary

C Night Noise White
D New Karhma

E Neon Swarm
F International Velvet

G Dynamite Don Don
H De-Filement Of His Nubile Young Wife

I Toy 69
J UFO Vs British Army

Wednesday, April 8, 2009

The Fall - Live 1977

one more from a cd rip i did today



The Fall - Live 1977

wiki:
Live 1977 is a live album by The Fall, first released in March 2000. Although the sound quality is poor and live documents of The Fall are plentiful, this one is of particular note as it is the earliest available recording of the group in action, apart from two tracks on the Short Circuit: Live at the Electric Circus compilation. It dates from December 1977, about six weeks after the group recorded their debut single "Bingo-Master's Break-Out!" (which wasn’t released until August 1978). It is the only release where early song "Hey! Fascist" can be heard, although it was reworked as "Hey! Student" and released on Middle Class Revolt some seventeen years later. There are also very early versions of "Oh! Brother" and "Cop It", both later found on The Wonderful And Frightening World Of The Fall, the latter retitled "Copped It". In addition, it is only here that the group’s reworking of "Louie Louie" can be accessed, an opportunity for cult figure John the Postman to join the group on stage. The original line-up was caught on tape just in time; this was to be Tony Friel’s last performance with the band. After a couple of short-stay replacements, the job would eventually be taken by Marc Riley.

Friday, March 6, 2009

Series 1: Tape Noise

First in a series of noise/pe posts I think I'll try to do. Today we have some old tape rips I've got lying around. Old hard drive is dying so I need to archive these somewhere safer anyway. Next I'll try to put some vinyl comps into the stack waiting for a rip & post.



1. Yuzuru Syogase - 1983-1985 (1988)

Easily among my favorite noise recordings, never released on vinyl. Alternates between proper 80's tape noise and overloaded & self-oscillating analog synthesizers. Not a clue as to the equip but if I'm gonna roll on that gimmick I'd guess a polysix or juno type polysynth, lot of arpeggiated blipping that you probably couldn't squeeze out of a mono. very, very highly recommended as an intro to this period in noise.

2. Graveyard - Anal Fucking (1987)

Power electronics with a drum machine, heavy heavy broken flag influence on this. Check out his ebay page, he's been selling off his collection for years now (possibly copies rec'd on contemporaneous tape but such an amazing collection i can only thank him for it). If anyone else was lucky enough to get the Direct Waves broken flag posts back when he dropped them, you'll enjoy this. Samples a speech by hitler (marked "untitled" since it wasn't listed as a track, in case you'd like to avoid it) for a few seconds but is otherwise free of such. Judging by sound it's a homemade modular or early monosynth with a few different delay effects and a cheap microphone, maybe a hacked up consumer keyboard going off the drums. classic 4-track material.


3. Volksfront - Kampf Field

More from the same guy who produced the Graveyard album. I can only assume that he listened to the SS Leibstandarte MB tapes and didn't get the joke, because it's PE similar to the Graveyard material with nazi speeches played over it. Bits of nazi speeches interspersed with a japanese guy screaming in broken english through a self-oscillating delay effect, circa 1988. First side is mostly speech samples and Second side is one long analog noise track with a continuous nazi speech fading in and out and a tick-tocky analog drum machine beat run through a ton of delay.

I do want to make a point of saying that I do not support whatever political message you might take from this incomprehensible mess, and staunchly support the death/slaughter of fascists everywhere. Snapshot of a time in production and all. Enjoy, if that's the word.